smithsonian center for folklife and cultural heritage address
Director:Michael Atwood MasonTotal Full-Time Employees:45Annual Budget (federal, trust and business activities) FY 2017:$10 million. The Center for Folklife and Cultural Heritage is a research and educational unit of the Smithsonian Institution. Research Associate. project is a collaboration between the people of Armenia, the Smithsonian, and USAID. What unique knowledge is lost when a language has lost its last native speaker? B.A. The Smithsonian in Games and Other Formats, National Museum of African American History and Culture, National Air and Space Museum and Udvar-Hazy Center, Smithsonian American Art Museum and Renwick Gallery, Center for Folklife and Cultural Heritage, Smithsonian Environmental Research Center, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution Building, the Castle, Ralph Rinzler Folklife Archives and Collections, Center for Folklife and Cultural Heritage Website, Additional Historic Images of the Center for Folklife and Cultural Heritage from the Smithsonian Institution Archives, Sign up for email updates on our amazing collection. Street and Delivery Address: Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. The Center for Folklife and Cultural Heritage is a research center of the Smithsonian Institution. (1996) University of Kansas; Ph.D. (2001) University of Kansas. The company generously embraced the challenge. This linguistic shift can be documented more precisely in the language of the UNESCO treaties. (1964), Ph.D. (1973) University of Pennsylvania. Many Ukrainian museums hastily evacuated their collections to other locations, sometimes to basements, underground storage facilities or safe sites removed from major Russian attack zones. The Sacred Grove: Essays on Museums. Research specialties: Africa and African Diaspora studies, immigrant and transnational culture and ethnicity, ethno-aesthetics, participatory research, cultural representation and cultural policy, culture and disability, multicultural education/social contexts. Distinguished Scholar and Ambassador-at-Large. That enables the monitoring of bombings, missile strikes, artillery shelling and fires. Then, theyve carefully re-packed them with an eye toward their long-term sustainability. (2004) Barnard College, Columbia University; M.A. (1972) State University of New York, Buffalo; M.A. (1977) Smith College; M.A. The Smithsonian Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center . (1988) Brown University; M.A. At the 2007 Smithsonian Folklife Festival, visitors admire the Pakistani hand-painted truck originally brought to the Smithsonian for the 2002 Folklife Festival. Research specialties: Indigenous, intercultural, and community media; digital media and performance;Afro-Brazilian expressive culture. Contact:PlaceJ1@si.edu, Sheehy, Daniel E., Curator and Director Emeritus, Smithsonian Folkways Recordings. B.A. Research specialties: Occupational folklife, African folklife, epic, narrative, proverbs, computer applications in folklore, intangible cultural heritage policy. Seitel, Peter, Senior Folklorist Emeritus. Junior Volunteer at Festival of American Folklife, 1986. Once approved by Ripley, Morris hired Ralph Rinzler to help him produce this festival for the upcoming summer 1967. Support the Center for Folklife and Cultural Heritage Thanks to the generosity of people like you, the Center is helping to sustain the world's cultural diversity by building understanding, strengthening communities, and reinforcing our shared humanity. Privacy Statement Collaborative Cultural Research and Public-Sector Folklore Presentation: An Ethnographic Study of the African Immigrant Folklife Study Project Awards And Honors Fellow, conferred by American Folklore Society, 2017 Affiliation Member Of Center for Folklife and Cultural Heritage Contact Email powered by MailChimp (Privacy Policy, Terms of Use), Kronos Quartet, Rinde Eckert, Vn-nh Vanessa V. This eclectic collection of artifacts and activities came together at the Center for Folklife & Cultural Heritage through a series of fortuitous and unplanned events. By the time of the Bicentennial Celebration 10 years later, the DC Folklife Festival had been incorporated into the festivities for the national party with activities scheduled throughout the summer. (1991), Ph.D. (1998) University of California, Los Angeles. Box 37012, MRC 520 Washington, D.C. 20013-7012. B.A. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Contact:BelanusB@si.edu, Butvin, Halle, Director of Special Projects. Senior Folklorist Emeritus. Hawaii was the featured state in the 1989 Folklife Festival from June 23 - July 4. Since then, the label has expanded on Asch's vision of documenting and preserving music and soundscapes from around the world. Research specialties: Occupational folklife, veterans of World War II, American film and mass media. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. The American Folklife Center, at the nearby Library of Congress, limits its scope to American Folklife in contrast to the international scope of the CFCH. The greatest number of cases are associated with regions of the most aggressive Russian attacks: Kyiv, Kharkiv, Mariupol and Luhansk. Sometimes collections are in disarray, evidence of hurried packing and evacuation. Rinzler worked at the center until his death in 1994. (1989), M.A. These attacks are not just random, nor do they represent collateral damage. Contact:smithsdl@si.edu, Younger, Erin,Research Associate. The Ralph Rinzler Folklife Archives and Collections is a public resource home to hundreds of thousands of videos, films, photographs, sound recordings, and field reports that document cultural traditions, maintained with an increasing commitment to digital accessibility and shared stewardship. For the past nine months, a squad of Uber drivers has made more than 200 trips and racked up more than 30,000 miles taking conservators to hundreds of museums and offsite storage locations throughout Ukraine. 2023 Smithsonian Magazine Research specialties: cultural presentation and representation,cultural heritage policy, cultural disaster and response, material culture studies, museum controversies, indigenous knowledge systems, cultures of south Asia and the United States. A participant works on a quilt at the 1968 Festival of American Folklife on the National Mall, Washington, D.C. Yugoslav Dancers at Festival of American Folklife, 1973. Research specialties: Cultural anthropology, cultural heritage presentation and representation, cultural performance and social activism, museum programming and public engagement. (1991), Ph.D. (1998) University of California, Los Angeles. The monuments lauded Russian triumphs, from the czarist empire, to Stalin and victory over the Nazis in World War II, to Russian heroes of 2014. The first lady spoke eloquently of the importance of history, art and culture in defining the identity of the Ukrainian people. Julia Lopez, a needle craft artist from California, demonstrates Mexican stitchery at the 1978 Festival of American Folklife. View ratings, addresses and opening hours of best restaurants. Curator. It posited that these components must work in concert with each other to insure that current development does not impede development in the future. Folklife Magazine explores how culture shapes our lives. Research specialties: City and regional planning, cultural sustainability, elevation of cultural practices to improve local economies. [note 4] Through these connections with external networks and strategic cultural partners, best practices and challenges emerge to inform the future of cultural heritage policy and practice at the Smithsonian. Telephone: 202.633.6440 Fax: 202.633.6474 Email . Contact:KimSO@si.edu, Kurin, Richard, Distinguished Scholar and Ambassador-at-Large. During that project, the Smithsonian formally established SCRI under the direction of curator and former U.S. Army monuments woman Cori Wegener, leading to similar efforts in the ensuing years to respond to cultural crises around the worldfrom temple-destroying earthquakes in Nepal to museum bombings in Syria and Iraq. Box 37012, MRC 520 Washington, D.C. 20013-7012. (1978) Arizona State University. The Hague Convention of 1954 followed, outlawing the purposeful destruction and looting of cultural property, which is so integral to a nations and to a peoples identity. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. B.A. [12] By acknowledging culture to be independent and separate from the social development of individuals, it recognizes the power and role of cultural structures and forms to give shape and meaning to a social group. Building on the awareness raised since the beginning of the century by a suite of UNESCO Declarations and Conventions, the centers Cultural Sustainability Research Group is at the forefront of a shift from reified and ossified discourses of preservation to more dynamic and ecological models of sustainability. Mailing Address: Center for Folklife and Cultural Heritage Smithsonian Institution P.O. Given satellite coverage, they can reference images over a period of time to pinpoint when the damage occurred and how extensive it is. The recordings were bundled into the Smithsonian Folkways label. In addition to daily performances and activities on the National Mall, the Smithsonian Folklife Festival recommends events and exhibitions relating to our programs at other Smithsonian museums and venues around Washington, D.C. All events are free unless otherwise noted. (1979) State University of New York at Binghamton; M.A. Search millions of objects in the collections including photographs, artworks, artifacts, scientific specimens, manuscripts, sound records, and transcripts. Contact:Cordovaa@si.edu, Deutsch, James I., Curator. nmaahc.si.edu. Box 37012, MRC 520 Washington, D.C. 20013-7012, Email powered by MailChimp (Privacy Policy, Terms of Use), Living traditions of, by, and for the people. Intern at Smithsonian Center for Folklife and Cultural Heritage Portland, Oregon, United States . Curator. (1972); Ph.D. (1989) George WashingtonUniversity. Ralph Rinzler listens through headphones during the 1988 recording session for the album "Folkways: A Vision Shared." How is this defined, and how is it measured? (1988) Brown University; M.A. Contact:NDiaye@si.edu, Place, Jeffrey, Curator and Senior Archivist. As one of the "Grand Challenges"[14] of the Smithsonian, CFCH strives to be steward and ambassador of cultural connections. (2001) Youngstown State University; M.A. Adams, Greg,Interim Archives Director. Like Poshyvailo and his HERI teams, conservators across Ukraine have taken stock of the situation, salvaging collections and materials as best they can. B.A. Contact:Marjorie@si.edu, Kim, Sojin, Curator. University of California, Los Angeles. With most of the worlds languages severely threatened, thousands of language communities have committed to revitalization eorts, from documentation and renewal to maintenance. [8], The Smithsonian Folkways Recordings has as its stated mission to curate and provide public access to each item in their collection of folk music, spoken word, instruction, and sounds from around the world. (1996) Pontificia Universidad Catlica de Chile; M.A. One of the early cultural casualties of the Russian invasion was the Ivankiv Historical and Local History Museum. Research specialties: Public sector folklore and ethnomusicology,traditional musicand museums, popular folk musics of Latin America, mariachi music in Mexico and the U.S. The museum, located about 40 miles northwest of Kyiv, was home to the nationally and internationally acclaimed folk art of Maria Prymachenko. The impact of the Center is felt far beyond the National Mall. Taquile Musicians from Peru at Festival of American Folklife, 1991. Since the beginning of the invasion, the Cultural Heritage Monitoring Lab, aided by the University of Maryland Center for Development and Conflict Management and a displaced Ukrainian Fulbright scholar supported by the Smithsonian, used remote sensing to identify some 1,600 cases of potential damage to Ukrainian cultural heritage sites. Dr. Richard Kurin, the Smithsonian's Distinguished Scholar and Ambassador at Large, has served as the institution's Under Secretary and as director of the Center for Folklife and Cultural . (1976) Simmons College; M.A. Contact:SeitelP@si.edu, Smith, Stephanie, Research Associate. They have tackled challenges and found solutions to questions like: Whats the best way to pack hundreds of paintings quickly? Particularly strong are collections of traditional music, occupational folklore, narrative, immigration, and family folklore. How can the Smithsonian help pack and move some 300,000 preserved plant specimensand quickly? Russia and its supporters were strategically marking the territory as Russian to solidify Moscows claimsand seemingly as a prelude to more aggressive moves. Crucial investigations are underway that will one day provide an accounting of Russias devastating war crimes. They followed the recommendations of an international committee chaired by Americas former first lady Eleanor Roosevelt in accepting the principles set forth in the historical milestone known as the Universal Declaration of Human Rights, which includes cultural rights and freedoms. To this day, the festival features performers, crafts people, and community groups from the United States and foreign countries. An aerial shot of the 1999 Smithsonian Folklife Festival, showing the site of the South Africa program. Since its inception in 1967, the Festival has highlighted artisans from all 50 states, more than 100 countries and nearly 70 occupations. To date, almost 1,600 cases of potential damage to Ukrainian cultural heritage sites have been documented, including some 700 monuments and memorials, and more than 200 museums, archives and libraries. B.A. The festival was started by folklorist Ralph C. Rinzler (1934-1994). This intangible cultural heritage, transmitted from generation to generation, is constantly recreated by communities and groups in response to their environment, their interaction with nature and their history, and provides them with a sense of identity and continuity, thus promoting respect for cultural diversity and human creativity. But the centers few vehicles were needed for civil defense purposes and thus unavailable. (2011) Leiden; M.Phil. Alarmed, the lab began geolocating cultural heritage sites in Ukrainerecording the coordinates of monuments and memorials, places of worship, cemeteries, museums, libraries, archives, performing arts centers, historical buildings and archaeological sites. B.A. The archive continues to grow in tandem with both the annual Folklife Festival, and the Folkways record label; it serves as the documentation and research foundation for the activities of these other two units of the CFCH. In addition to those named above, the author wishes to thank Hayden Bassett, Katharyn Hanson, Brian Daniels and members of the SCRI, CHML, HERI and NRRC teams who have engaged in this cultural heritage work. It is this contemporary shift that CFCH bridges in its compound title of Folklife & Cultural Heritage. This collaborative project between the people of Armenia, the Smithsonian and USAID aims to deepen understanding of the countrys living traditions and heritage sites. A Lithuanian blacksmith demonstrates his skills in the Baltic Nations program during the 1998 Smithsonian Folklife Festival. IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. The 10-day event provides a platform for cultural exploration, exchange and engagement. Major projects have included the Anthology of American Folk Music, the Smithsonian Anthology of Hip-Hop and Rap, and numerous series on the music of Central Asia, the Andes, and other regions. In 2021, Wegener, in partnership with the Virginia Museum of Natural History, established the Cultural Heritage Monitoring Lab to examine the status of cultural sites in crisis zones based on methods developed for Syria and Iraq during the period of ISIS terrorism. (1979) Emory University; Ph.D. (1991) George Washington University. The CFCH contains (numerically) the largest collection in the Smithsonian, but is not fully open to the public. works with UNESCO, ministries of culture around the world, as well as local, national, and international governments to recommend and develop policy concepts and language on cultural sustainability. Contact Soeun directly . Street and Delivery Address Center for Folklife and Cultural Heritage Capital Gallery Building 600 Maryland Avenue SW Suite 2001 MRC 520 Washington, D.C. 20024. HERI mobilized to provide emergency packing materials. In 1998, the Festival was renamed the Smithsonian Folklife Festival to reflect its international interests, and in 1999 the office was renamed the Center for Folklife and Cultural Heritage to reflect its research, as well as public program functions. The Festival is an annual exposition of living culture held on the National Mall in Washington, D.C. for two weeks around the Independence Day holiday for audiences sometimes exceeding one million visitors. On this Wikipedia the language links are at the top of the page across from the article title. The record label originated as the Folkways Records of Moe Asch, which were donated to the Smithsonian in 1989 under the unique condition that all records in the collection remain available "forever", regardless of sales. B.A. [6] This was non-standard for the Smithsonian, and guaranteed to provoke curators accustomed to operating in orderly museum buildings.[7]. Originally part of the Smithsonians Division of Performing Arts, a separate Office of Folklife Programs was created in 1980. Ukrainians are fighting for their freedom, and in particular their freedom to be who they culturally are. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. B.A. A plethora of newly minted compound concepts have been introduced into the vocabulary and discussion of culture since the turn of the century. (1981), Ph.D. (1995) University of Pennsylvania. Svitlana Stryelnikova, director general of the National Research Restoration Center of Ukraine, and her staff of expert conservators at the headquarters in Kyiv and branch facilities in Kharkiv, Odesa and Lviv were charged with caring for Ukrainian national collections. The inventory now includes more than 28,000 sites. Visitors at the Smithsonian Folklife Festival, 2002. Since 1967 the Smithsonian Folklife Festival has taken place at the National Mall and featured ongoing performances and demonstrations of contemporary cultural traditions. Russias war in Ukraine is particularly cruel in attacking civilian targets, and its also marked by a strong cultural elementone that is being met with resistance from not only Ukrainians, but also the international community and the Smithsonian Institution. (1973) New York University; M.A. Among them was the Kosciuszko Foundation, a Polish American organization that, with funding and advice from the Smithsonian, has provided emergency stabilization supplies for dozens of Ukrainian museums from its offices in Warsaw. (2005) Occidental College; Ph.D. (2017) UCLA. Smithsonian Center for Folklife & Cultural Heritage Blog | Smithsonian Magazine Smithsonian Voices From the Smithsonian Museums Introducing Graphic Artist Jean Young's Powerful New. The Smithsonians Center for Folklife and Cultural Heritage promotes greater understanding and sustainability of cultural heritage across the United States and around the world through research, education and community engagement. Every summer since 1967, the Smithsonian Folklife Festival brings together artisans, musicians, cooks and storytellers from around the world on the National Mall in Washington, D.C., for performances, workshops, and demonstrations of living cultural expression. (1970), Ph.D. (1974) University of Chicago. Spotlighting these questions also brings into sharp relief the shadow side of minority language communities, which are characteristically marked by poverty, isolation, segregation, travel restrictions, and censorship.[13]. B.A. This research group brings together thought leaders, both digitally and in person, to explore some of the critical issues facing our nation and the world. Contact:CadavalO@si.edu, Leopold, Robert, Research Associate. Contact:ButvinHM@si.edu, Clark, Logan,Executive Assistant, Smithsonian Folkways. These are some of the issues investigated in this research area, which focuses specifically on the indigenous or minoritized languages of Europe. The Center for Folklife & Cultural Heritage (CFCH) is one of three cultural centers within the Smithsonian Institution in the United States. Rajiv Shah, president of the Rockefeller Foundationrecalling the 2010 success of the Smithsonians Haiti Cultural Recovery Project hed supported when head of U.S. Agency for International Developmentpledged major support. Contact:Diaz-CarreraC@si.edu, Holmgren, Meredith,Curator, American Womens Music. Contact:DeutschJ@si.edu, Daz-Carrera, Cristina,Curator. Folklore (or traditional and popular culture) is the totality of tradition-based creations of a cultural community, expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they reflect its cultural and social identity; its standards and values are transmitted orally, by imitation or by other means. Support the Folklife Festival, Smithsonian Folkways Recordings, sustainability projects, educational outreach, and more. Russian leader Vladimir Putin has wrongly made culture both a justification and an object of war with Ukraine. The images in the exhibition spotlight noteworthy individuals and uplift objects from the museums collection, many on display for the first time. Polish organizations lent tremendous logistical help. Research Associate. The task at first was overwhelming. The Center also produces major national cultural events consistent with its mission. Eliot Elisofon Photographic Archives, African Art. (1987) University of Maryland. (1987) University of Maryland. Year after year, it continues to bring musicians, artists, performers, craftspeople, workers, cooks, and storytellers into this public forum to demonstrate the skills, knowledge, and aesthetics that embody the creative vitality of community-based traditions. Mailing Address Center for Folklife and Cultural Heritage Smithsonian Institution P.O. The compound name, Center for Folklife & Cultural Heritage, epitomizes an ongoing transition within the field of cultural studies. The center is composed of three distinct units. (1981), Ph.D. (1995) University of Pennsylvania. (1979) State University of New York, Stony Brook; Ph.D. (1997) Union Institute. What precautions should be considered to avoid fire damage from shelling and water damage from extinguishing those fires? Various alternatives failed, but thanks to contacts through the U.S. State Department, the Smithsonian enlisted Uber, which had been providing free transport for refugees fleeing Ukraine and even for relocating them in neighboring countries. Morris and Rinzler were named Washingtonians of the Year. The Centers Cultural Sustainability program works with communities around the world to preserve and practice their living cultural heritage, seeking ways to make linguistic and artisanal traditions, as well as those associated with historical, built, and natural environments flourish for the civic, social and/or economic benefit of practitioners. Eliot Elisofon Photographic Archives, African Art, Center for Folklife and Cultural Heritage. Hayride String Band at Festival of American Folklife, 1985. Along with the artifacts of material culture, we are blanketed with artifacts of intangible cultural heritage, including traditions of performance, ritual, music, dance, knowledge, storytelling, and oral transmission. Opportunities for scholars include studies of cultural representation and cultural sustainability, collaborative research in specific areas of staff or programmatic interest, and projects involving a wealth of archival materials documenting the cultural traditions of communities in the U.S. and around the world over the last 80 years. Accessibility, Diversity & Inclusion, Anthropology - Cultural, Archival, Collections Management, Communication & Marketing, Computer & IT, Crafts, Cultural Heritage, Curatorial, Design, Development & Fundraising, Education, Film, Music, Photography, Public Affairs & Social Media, Research & Analysis, Special Events & Festivals, Women's Studies, This page was last edited on 8 December 2021, at 08:10. In their "Artisan Initiative"., CFCH is dedicated to building the sustainability of craft traditions of individuals and groups. Over decades of research and production, we have created educational materials for cultural professionals, educators, and casual learners, including lessons plans, documentation handbooks, learning guides, and online exhibitions. B.A. It now includes an extensive collection of traditional American music, children's music, and international music. A relatively small but interesting and well-documented material culture collection includes iconic and other items from the Festival and the Centers projects. Rinzler continued in the Festival organization, originally as part of the Smithsonian's Division of Performing Arts until a separate Office of Folklife Programs was created in 1980. In 1964 the new Smithsonian secretary, S. Dillon Ripley, arrived in Washington with an innovative museum concept: he challenged curators to "take the objects out of their cases and make them sing". Research specialties: Ethnographic and Indigenous archives, information ethics, language revitalization, indigenous knowledge systems, knowledge repatriation, Africa. (1976) University of Minnesota; M.Ln. The Center hosts the annual Folklife Festival on the National Mall and is home to Smithsonian Folkways Recordings. C. Latino Digital Curator of New and Emerging Media. Research specialties: Latin American and Latino studies, American cultural history, material culture, folklife. Cookie Settings, Courtesy of National Research and Restoration Center, Courtesy of the Cultural Heritage Monitoring Lab, Courtesy of the National Research and Restoration Center, University of Maryland Center for Development and Conflict Management, Heritage Emergency Response Initiative (HERI), International Centre for the Study of the Preservation and Restoration of Cultural Property. Native American Blanket Toss at Festival of American Folklife, 1974. To date, the label has won six Grammy Awards, one Latin Grammy, 10 Grammy Lifetime Achievement Awards and 30 Independent Music Awards. And the work of organizations, including the Smithsonian, mobilized thanks to years of cultural heritage training efforts, is aiding the country in its effort to protect artifacts, books, documents and artworks from these insidious attacks. Research specialties: Ethnomusicology, audiovisual archives, music industry, social organization, cosmology, ritual, oral narrative, South American Indians, Brazil. B.A. Originally part of the Smithsonian's Division of Performing Arts, a separate Office of Folklife Programs was created in 1980. (2005) University of California, Los Angeles; PGCert. As in other regions of Europe, the population of the geographic region of modern Ukraine reflects a diversity of ethnic migrations and cultural influences, as well as a succession of political rulers and changing boundaries over millennia. Research specialties: Material culture, folklore and education, public programming. (1985) Wichita State University; M.A. Mexican Stitchery Demonstration at Festival of American Folklife, 1978. Once again the subject matter was defined: Intangible Cultural Heritage means the practices, representations, expressions, knowledge, and skills as well as the instruments, objects, artifacts and cultural spaces associated therewith that communities, groups and, in some cases, individuals recognize as part of their cultural heritage. The Smithsonian Cultural Rescue Initiative and its partners are aiding in the fight to protect the countrys history and to document attempts to erase it. (1980), Ph.D. (1990) Indiana University. B.A. In 2010, the Initiative for Global Citizen Diplomacy honored the Festival with a Best Practice Award for International Cultural Engagement, and, in 2017, the American Alliance of Museums recognized the Festival with a Sustainability Excellence Award. Research specialties: Caribbean/Latin American studies, Latino music, cultural representation. Junior volunteer John McCauley demonstrates marblemaking to onlookers at the 20th Festival of American Folklife, in the Summer of 1986. (1979) Emory University; Ph.D. (1991) George Washington University. Research specialties: Native American and Pacific Rim material culture, contemporary Native American art, museum practice. (2007), Ph.D. (2015) New York University. ( 1995 ) University of Kansas ; Ph.D. ( 1991 ) George Washington University MRC Washington. How can the Smithsonian for the album `` Folkways: a vision Shared. the Festival! Aggressive Russian attacks: Kyiv, was home to the Smithsonian, but is not fully to... ( 1998 ) University of Pennsylvania provide an accounting of Russias devastating war.. Intangible cultural Heritage policy Emeritus, Smithsonian Folkways Recordings provides a platform cultural! Smithsonians Division of Performing Arts, a separate Office of Folklife Programs created! Visitors admire the Pakistani hand-painted truck originally brought to the nationally and internationally acclaimed folk art of Prymachenko. Contains ( numerically ) the largest collection in the language links are at the National Mall Artisan Initiative '',... ''., CFCH is dedicated to building the sustainability of craft traditions individuals..., 1991 Curator, American film and mass media work in concert with each other to that. 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