lend me a tenor maggie monologue

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DOWNLOAD PDF . [7][8] The revival closed its limited run on August 15, 2010. Merelli is coming to Cleveland to sing the lead role in a performance of Giuseppe Verdi's Otello. Max succeeds admirably, but Morelli comes to and gets into his other costume ready to perform. from [3][4], After sixteen previews, the Broadway production, directed by Jerry Zaks, opened on March 2, 1989 at the Royale Theatre, and closed on April 22, 1990 after 476 performances. We can prop him up and play a record. A few brief words, nothing elaborate. But when he becomes incapacitated, it's up to meek and mild. Lend Me a Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985. We don't currently have any monologues from Lend Me a Tenor . Acting Monologues . Power your marketing strategy with perfectly branded videos to drive better ROI. Much later (Scene II), Max is unable to wake Tito from his nap. . "It requires more energy than anything else. New York, NY, Linda Ray Saunders tells Max to quickly change out of his Othello costume and makeup, while he goes downstairs to handle the police. The temperamental Tito is played so well by Mr. Cookson, who, with rich voice and gobs of stage presence, makes it difficult to believe that he is not a professional opera singer. "Then there is the singing. On a very important night for the Cleveland Grand Opera Company, Tito Mirelli, the world-famous Italian tenor, is set to perform the starring role in Otello. Gender: Female. When Saunders arrives, Max tearfully tells him that Tito is dead. Take a look at our library of free monologues . Also, Tito and Max both find themselves being romantically pursued by Maggie Saunders, and by Diana, the Cleveland Opera's sexy and ambitious soprano. It received nine Tony Award nominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). They're sending two of their men over to keep an eye out. From Leading Ladies, I'd suggest Doc Meyer's monologue at the beginning of the Act I, Scene 2 (page 11-12 of the Samuel French edition);3. IBDB provides a comprehensive database of shows produced on Broadway, including all "title page" information about each production. The aria becomes background music for the action happening on the other side of the stage when Maria finds Maggie in the closet. The star arrives late and, through a hilarious series of mishaps, is given a . Now two clowns are running around in costume and two women are running around in lingerie, each thinking she is with Il Stupendo. In the sitting room, Max gives Tito a tranquilizer-laced drink, trying to calm him down before the performance. Maria. A hotel suite in Cleveland, Ohio in 1934. A center "stage wall" divides the two rooms, with a door leading from one room to the other. While Maria pouts in the bedroom, Tito joins Max in the living room, but not before accidentally overdosing on sedatives. The audience will never know that it is not Tito Merelli, and they can announce Tito's death tomorrow morning. Information: 381-4864. Five doors, primed for slamming, in a single hotel suite. Saunders has charged Max with seeing to Merelli's needs, and with getting Merelli to the opera house in time for the performance. Frantic and on the run from the police, Tito is even more confused when other characters in the play show up to congratulate him on his "magnificent performance" as Othello. Max reluctantly agrees to the plan. AUDITION REQUIREMENTS: Please bring a current headshot & resume. Tickets are $7 for seniors and students. Research Playwrights, Librettists, Composers and Lyricists. When he learns that Max is an aspiring opera singer, Tito kindly gives Max a singing lesson, teaching him to "loosen up" and sing with more confidence. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features Press Copyright Contact us Creators . However, we have dozens of other monologues that you can read. It was directed by Larry Carpenter. A sellout crowd and the members of the Cleveland Opera Guild will be at the opera house that evening to see the great Merelli. Lend Me a Tenor Play Writers: Ken Ludwig Monologues Sorry! The play was subsequently presented by Andrew Lloyd Webber for The Really Useful Company at the Globe Theatre, London on March 6, 1986 with the following cast: MAX - Denis Lawson; MAGGIE - Jan Francis; SAUNDERS - John Barron; TITO - Ronald Holgate; MARIA - Anna Nocholas; BELLHOP - Edward Hibbert; DIANA - Gwendolyn Humble; JULIA - Josephine Blake, Directed by David Gilmore; Designed by Terry Parsons; Lighting by Michael Northen. Add a few lines about how he was wounded in the Battle of Cyprus, then carry him around the stage on a stretcher.Whats that? It's unbelieveable but it's written strongly enough for the audience to suspend disbelief.". Since each role is clearly defined and quite funny, it offers the opportunity for everyone to shine. Thanks so much for writing and all the best for your future in acting!Regards,KenFrom Ken Ludwigs Lend Me A Tenor, Act I, Scene 2:SAUNDERS has just discovered that world-famous opera star, Tito Merell, whom patrons of Cleveland Grand Opera have paid large sums of money see perform the role of Otello that evening, is either unconscious or dead. A Broadway revival began performances at the Music Box Theatre on March 13, 2010 in preview and officially opened on April 4, 2010. "From Midsummer I'd look at Oberon's monologue from Act II, Scene 1, "My gentle Puck, come hither" or from Act IV, Scene 1, Nick Bottom's monologue that begins, "I have had a most rare vision"From As you Like It, Act II, Scene 1, there's the Duke's speech that begins, "Now, my co-mates and brothers in exile"And of course, everyone's favorite, "Our revels now are ended" from the Tempest, Act IV, Scene 1.If you're looking specifically for tragedy, you might look at Hamlet or Macbeth. [9] The musical opened in London's West End in June 2011, directed by Ian Talbot and choreographed by Randy Skinner. Group rates are available. Ill have to make an announcement of course. When they grabbed him he actually hit a policeman. Show Dates: Performances: Mar 6-8, 13-15, 20-21 Friday/Saturday Performances 8pm, Sunday Matinee 2pm LEND ME A TENOR is presented by special arrangement with Samuel French General Information Important: Bring a list of ALL conflicts with you. Research Playwrights, Librettists, Composers and Lyricists. (Throughout the play, the audience can see what's happening in both rooms at the same time.). "We look for comedies that are fast-moving and designed for good opportunities to laugh. Maggie is a fan of Tito Merelli, and hopes to meet him. "We had to make it look smooth and natural when, in fact, it was highly choreographed," Ms. Romaine said. Your blog is such a great reference to have and, of course, provides invaluable insight into someone I've admired for so long.As I was reading your past entries, I saw that someone inquired about your favorite monologues from your works, particularly "Leading Ladies". Seeking 2 Actor Team for Spring The two-room set has a sitting room with a sofa and chairs at right and a bedroom at left. Monologue from Lend Me a Tenor - YouTube Leigh Anne Hamlin performs one of Maggie's monologues from the play "Lend Me a Tenor" by Ken Ludwig. library of free monologues. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. It received nine Tony Awardnominations and won for Best Actor (Philip Bosco) and Best Director (Jerry Zaks). I mean, I just want to be helpful. This page was last edited on 21 September 2022, at 23:34. By the time we reach the endwellits not over. Search all monologues from plays. Join StageAgent today and unlock amazing theatre resources and opportunities. Report this file. Michael Kraklio, director. Maggie: 20-29. a classic 1930s ingnue, in love with Max, who . Saunders' timid, bespectacled assistant, Max, who secretely aspires to be an opera singer, tries to comfort Saunders in his unassuring nasal voice. and Act I, Scene 2: "Oh that this too too solid flesh would melt"And from Macbeth, I'd look at Act II Scene 1: "Is this a dagger which I see before me? The opera performance will have to be cancelled, and the audience will demand their money back. For actor Bill Cookson, who plays Tito, learning the lines and keeping the pace required more work than understanding Tito's motivation. His pulse is so low that Saunders and his assistant Max believe hes dead. This article is about the play. I've included this monologue below, since it requires putting three speeches together.2. Gain full access to show guides, character breakdowns, auditions, monologues and more! It starts spinning early in the show and just never stops. SAUNDERSWell, I guess that wraps it up. They are looking for "a lunatic dressed as Othello, who thinks he's Tito Merelli." As the play closes, Max and Maggie share a kiss. It will be a disaster for the Cleveland opera, and for Saunders himself. Ken Ludwigs Lend Me A Tenor was first presented at the American Stage Festival, Milford, New Hampshire on August 1, 1985, with the following cast: MAX - Walter Bobbie; MAGGIE - Christine Rose; SAUNDERS - George Ede; TITO - Ronald Holgate; MARIA - Judith Roberts; BELLHOP - Joe Palmieri; DIANA - Linda Lee Johnson; JULIA - Bella Jarrett, Directed by Larry Carpenter; Set Design by John Falabella; Costume Design by David Murin; Lighting by John Gisondi. Directed by Stanley Tucci, the cast starred Anthony LaPaglia (Tito Merelli), Jay Klaitz (Frank the Bellhop), Justin Bartha (Max), Jan Maxwell (Maria), Mary Catherine Garrison (Maggie), Jennifer Laura Thompson (Diana), and husband and wife couple Tony Shalhoub (Saunders) and Brooke Adams (Julia). Casting "Lend Me a Tenor." Note: All actors must be first-rate farceurs with excellent verbal skills. Lend Me A Tenor is set in September 1934. Tito and Maria leave together, while Saunders accompanies Diana to a downstairs reception. Every time they enter a room, open a door, or even open their mouths you just cant expect what happens. It starts spinning early in the show and just never stops. These eight characters are insane (every one of them!) My God youve solved the whole problem! A surprise Curtain Call pushes it even further over the edge leaving both cast and audience fatigued from laughter. "- Glendale Theater Examiner. [11], In 2019 the official licensed performance script was revised by Ken Ludwig, removing all references to Otello and replacing them with Pagliacci.[12][13]. We don't currently have any monologues from Lend Me a Tenor. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world famous, Tito Morelli, Il Stupendo, the greatest tenor of his generation, to appear for one night only as Canio from Pagliacci. It was universally acknowledged that he sang like a angel, but apparently he wanted to prove it. Maggie, who is her unsure of her feelings for the suave-less Max, whom she has dated for years, tries to get her hands on the hot-blooded Il Stupendo by hiding in his bedroom closet. But Tito arrives sick from overeating and Maria is angry at his flirting and infidelities. CCP decided two years ago to limit its annual lineup to light comedy. Eventually, Diana seduces Tito in the bedroom, while Maggie simultaneously seduces Max (who she thinks is Tito) in the living room. Maggie . A few seconds later, Tito Merelli returns to the hotel suite, also dressed as Othello, in a costume, wig, and blackface makeup. But these are just some of the backstage goings-on during a night at the opera in the hit comedy, "Lend Me A Tenor.". MAGGIE SAUNDERS: Saunder's daughter, and Max's girlfriend. Ccp decided two years ago to limit its annual lineup to light comedy happens... Downstairs reception New Hampshire on August 1, 1985 the aria becomes background music for the Cleveland opera Guild be. 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