johnny rooster'' byron monologue

[19], In February 2018, Toronto's The Company Theatre (TCT) and Outside the March co-produced the Canadian premiere of Jerusalem at Crow's Theatre's Streetcar Crowsnest in association with Starvox Entertainment. The comedy carries a similar momentum, waning at times, brilliant in others. You may receive a verification email. Johnny Rooster Byron, having just been beaten up and with In January 2010 it transferred to the Apollo Theatre; it played on Broadway in the summer of 2011. Nice Fish. Sign up today to unlock amazing theatre resources and opportunities. A runaway hit in England and on Broadway featuring Mark Rylance as Rooster, Jerusalem struck a chord with English audiences in a way that didnt quite register with me. A comic, contemporary vision of life in Englands green and pleasant land. Jerusalem essays are academic essays for citation. Johnny Rooster Byron, having just been beaten up and with a demolition team about to tear down his mobile home is talking to his young son Marky. She was last years Queen of the fair. Butterworth presents Byrons clearing as a refuge for the teenagers of Flintock, and the hypocrisy with which he is questioned by Wesley over his relaxed dispensation of alcohol and drugs makes the audience side with him even more. And even more courage for a lead actor to risk comparison with. In the passage Johnny is not explicitly made out to be a saint, but it is Troy that is implied to be the dragon, thus automatically making Johnny the saint protecting Phaedra. But any disagreement around the treatment of its themes cannot take away from its drama and the soaring central performance. There were references, issues and implications I wasnt picking up on, despite the fact that industrialization, a loss of connection to the land and the ostracization of the poor also apply to Toronto. He was formerly a motorcycle stunt driver who's broken all of the bones in his body and even come back from the dead after an accident. She appears in the prologues to scenes throughout the play, but it isn't revealed that she has been staying with Johnny in his caravan the entire time until the very end of the play. At the beginning of the play, it is insinuated that he is the dragon, but this is due to the fact that the audience do not know the character of Johnny well enough, or the character of Troy. Butterworth's Jerusalem is not to be confused with the 2005 play of the same name by Simon Armitage. Just a Teacher Standing in Front of a Class, EngEdu web page for resources and support, Making us hearers: Homer and the English Language. From the Tudors to Tom Hardy's Tess, or from the Wars of the Roses to Wuthering Heights, feel free to browse through my musings to pick up extra ideas and points for discussion! Video Examples. The Independent[10], Following a successful run at London's 380-seat Royal Court theatre, Jerusalem transferred to London's West End at the 796-seat Apollo Theatre for a limited 12-week season from 28 January 2010, closing on 24 April 2010. Psychologically profound Jack Riddiford, Mark Rylance and Ed Kear in Jerusalem. [2], In 2019, writers for The Guardian ranked Jerusalem as the greatest theatrical work since 2000.[42]. The ending of the play is also useful when considering the presentation of Johnny, beginning with his branding by Troy. Ultzs astonishing set opens up to bacchanalian detritus outside Roosters caravan empty bottles, a mucky sofa, a disco ball tied to a tree and even live chickens. Star Newspapers Limited and/or its licensors. to learn more about this monologue from Jerusalem and unlock other amazing theatre resources! In comparison with the pompous religiosity of the council, as seen through Fawcetts prim, turgid legalese in Act 1, with her references to the Pollution Control and Local Government Order 1974, Byrons rebellion is seen by the audience as an amusing riposte to the absurdity of authority, and thus does Butterworth make us firmly on his side. This store is PCI Compliant. Butterworth achieves this through the various mythic tales Byron tells, and through details of his general character and speech. from May it scorch them for life, Daveys poor humour about the situation, resulting in the werewolf story can also be used to make links with Johnny, as we already understand that the wood is his, and that he likes a shag. The idea is referenced again at the beginning of act two, with the use of the Barry Dransfield song. Beyond that, it is Byrons vision of himself which attracts us to him and further makes us firmly on his side, because of the heroic image he creates. Show me your teeth. It's about this girl you are interested Start: The present. In the royal court production of the play, Johnny also makes the sign of the crucifix, portraying him as a saintly figure, which is suffering to protect others. Mark Rylance pulls out of three Jerusalem shows after brothers death, Theweek in theatre: Jerusalem; The Corn Is Green; Marys Seacole, Jerusalem is back, and channelling Englands rough magic once again, Mark Rylance calls out Tory arts cuts in new Jerusalem programme, IsJerusalem still the play of the century? Initially, the audience could quite easily jump to the conclusion that Johnny is the dragon, as he may be holding Phaedra against her will. ull disclosure: I did not love Jerusalem the first time around. The Professor vague and whimsical, the elderly professor spouts philosophical nothings and unwittingly takes LSD. Join the StageAgent community Troy is the dragon, and Johnny is the saint in this instance, for obvious reasons. About half a mile from the Little Chef" that is so perfect; funny and precise. Where was this when I was in sixth form?! And there Butterworth finds his crux: Roosters version of Jerusalem is far different than that of the other residents of the fictional town of Flintock, and both sides are waging battles of will and worse to fight for their visions. He takes LSD with the group and when he returns from his 'trip' he speaks with Johnny and says that he knows Mary will not be coming back, that she is gone. Johnny "Rooster" Byron - opinionated, eccentric, ex-daredevil and teller of fantastically improbable stories, he has a young son whom he rarely sees. They include amateur DJ Ginger (Philip Riccio), Australia-bound Lee (Christo Graham), Flintock lifer Davey (Peter Fernandes), underwritten females Pea (Katelyn McCulloch) and Tanya (Brenna Coates), and the Professor (Nicholas Campbell), the faded echo of a respectable English stereotype, in a tattered tweed coat with a pocket watch chain that hangs as aimlessly as the Professor as he wanders through the woods. It is with that theme established a theme from which the audience naturally sides with the embattled Byron- that the confrontation begins. Search monologues, 32-bar audition cuts, full sheet music, and tips. And its harking back to a bygone England a holy land filled with ancient energies, druids and Stonehenge giants that carries the discomforting idea that Englishness was a better, purer version of itself then? He seems to be imbued with some sort of power that no one else understands. He holds parties where he gets drunk and supplies drugs, some of them to under-age kids. In Butterworths Jerusalem, Rooster Johnny Byron is a man who strays constantly and unashamedly outside societys moral boundaries. . A comic, contemporary vision of life in England's green and pleasant land. Jerusalem - Play. An editor Although the bigger ideological issues around women and Englishness continue to run through the three acts, this is a complicated and layered play, growing into its magnificence, as mercurial as its contradictory and complicated central character. Now kiss my beggar arse, you Puritans!", "I'm heavy stone, me. Ginger underdog of the group, he is older than the others who hang around with Johnny, never having grown out of the lifestyle. There was certainly a crackling excitement on opening night, earned for the scope and magnitude of such an indie production, expertly handled by Cushman, and not because it revealed hidden truths about English or Canadian life. From the Tudors to Tom Hardy's Tess, or from the Wars of the Roses to Wuthering Heights, feel free to browse through my musings to pick up extra ideas and points for discussion! Although it is his fault that children are seen wandering around at night pissed, he still cares for them, and ensures they are safe by allowing them to sleep in his caravan. Much like Saint George who protected the people from the dragon, Johnny can be seen to protect teenagers from themselves, as arguably, they are safer at the caravan than they would be if they are wandering about, and this could result in them getting hurt. He deals drugs to the people in the village and allows kids to party with him as he believes they are safer with him than with their parents. Jez Butterworths play about myths and Englishness has itself been so mythologised since that original 2009 run hailed as the play of the century and celebrated for its Shakespearean qualities that it seems like heresy to speak of ambivalence in anything other than a whisper. Butterworth's Use of Dramatic Method in Scene 1: An Investigation into the Power Dynamic between Troy and Johnny, Jerusalem and Albion: An Ecological Perspective on Contemporary British Theatre. sensational run at the Royal Court in 2009. Pub raconteur Jasper Britton as Johnny Rooster Byron. I am an English Literature and History graduate, and wanted a space to explore topics within those fields that interest me. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); Click to share on Twitter (Opens in new window), Click to share on Facebook (Opens in new window). On St George's Day, the morning of the local country fair, Johnny 'Rooster' Byron, local waster and Lord of Misrule, is a wanted man. START: School is a lie. Research Playwrights, Librettists, Composers and Lyricists, See more monologues from Jez Butterworth, British (Wiltshire) accent. View more posts. permissions/licensing, please go to: www.TorontoStarReprints.com, Written by Jez Butterworth. 2023 Vimeo.com, Inc. All rights reserved. The banners reading FUCK OFF KENNET AND AVON and the fortifications of a wheelbarrow full of gnomes present us with a humorous image of amateurish and homespun civilian dissent which only increases our support for Byron. This idea is then elaborated on, as Davey calls him an ogre. This particular monster is incomparable to that of a dragon, but a vampire is not. In moments of self-mythologising, he sounds like a pub raconteur rather than the mesmeriser that. Directed by Kathleen Duborg, with Adam Henderson as Rooster, the production received a very positive reception during its run. I describe what I'm doing and why I'm doing. So the Watermill shows daring in its staging of Jerusalem, which had a sensational run at the Royal Court in 2009 followed by the West End, twice, as well as Broadway. Thank you! Wesley the local pub landlord, he is involved in the festivities for St George's Day and has been roped into doing Morris Dancing. Phaedra Troy's stepdaughter is seen at the beginning of both Acts One and Two singing the hymn "Jerusalem" and dressed in fairy wings. Is it the greatest play of our times? We will still engage with the text as deeply, but the whole thing is now to produce coursework and all the juicy contextual stuff will never see the light of day! After you claim a section youll have 24 hours to send in a draft. These papers were written primarily by students and provide critical analysis of Jerusalem by Jez Butterworth. Rylance won the Best Actor in a Play award for his performance. Good times. He who steps in my blood, may it stick to them Like hot oil. Despite this, Butterworth portrays a man we as an audience instinctively find attractive, and with whom we want to side. Jerusalem Johnny "Rooster" Byron See more monologues from Jez Butterworth Overview Text Related Products Useful Articles Overview Key Information Show The problem with the term 'local personality,' however, is that it is all too often a polite euphemism for a crushing bore, and three hours in Rooster's company does prove to be something of an endurance test." resource to ask questions, find answers, and discuss thenovel. Please log in to begin your shopping experience. The staging involved live chickens, a live tortoise and goldfish, and several real trees surrounding an onstage caravan. He is both an amalgamation of the mythical English men who came before him and a man made purely in the present. This is in keeping with the way Butterworths stage direction has Byron let[ing] out a long, feral bellow, from the heart of the earth: such a clearly animalistic sound causes the reader to question whether Byron is fully human, or whether he is truly part of nature in a way those around him are not, shaped by it like his namesakes poetry. Saint or Dragon? He was formerly a motorcycle stunt driver who's broken all of the bones in his body and even come back from the dead after an accident. Last kisses. I seen a rainbow hit the earth and set fire to the ground. At the heart of the play lies this unresolved contradiction: our concerns about Byron never leave us, but still we support him, and it is on this contradiction that much of the exploration of Byrons character hinges. This reading presents Johnny as a saintly figure, who is shielding and protecting a vulnerable young girl from her abusive stepfather, Troy. If Rooster starts out as a brute, limping around from a history of drunken violence, Rylance captures the wreckage of that man immaculately, from his gait to hangover headache and comedown of jittery, darting eyeballs. [21] The production featured TCT's largest ensemble cast since their production of Festen (2008), which boasted a cast of 14:[22], Helmed by Outside the March's Artistic Director Mitchell Cushman, the production's creative team was composed of longtime TCT collaborators Michael Sinclair (stage manager: Speaking in Tongues, 2012/13; Belleville, 2014; Domesticated, 2015; John, 2017), sound designer Richard Feren (The Test, 2011; musical composition: Belleville, 2014) and set designer Nick Blais (Domesticated, 2015). You try and pick me up, I'll break your spine." and more. Join the StageAgent community On the contrary, given the current context of Brexit, xenophobia and alt-right nationalism, the notion that there is any one English identity to be portrayed especially that of a white, straight male with a monologue about how his ancient blood will survive in the Byron men is startlingly unappealing. He was portrayed by Mark Rylance. Lee young teenager, he enters the play after having been hidden in the sofa asleep. [28], In 2014 an outdoor production created by Common Players with Northcott Theatre, reimagined as New Jerusalem, toured around Devon and Somerset. Byron boasts of his conquests and talks of pinching bums, while Ginger states: I dont actually have GCSE maths but I do have a great big hairy cock and balls. Bizarrely, this gets some laughs on opening night. On St. Georges Day, the morning of the local county fair in Wiltshire, Johnny "Rooster" Byron, local 'waster' and modern-day Pied Piper, is a wanted man. Johnny Rooster Byron may be nearing the. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall to learn more about this monologue from Jerusalem and unlock other amazing theatre resources! (Marky does so.) We are thankful for their contributions and encourage you to make yourown. He seems to have a sense of being in the real world and in fantasy at the same time. By saying this, the group believe that Johnny deserves to enter into English heritage, culture and folklore, and become immortalised like a saint. to learn more about this monologue from Jerusalem and unlock other amazing theatre resources! Byron is presented as more than a man, but a being beyond full comprehension, something that gives Butterworth the narrative space to build a heroic, mythic character, who can marshal his troops like a comic Henry V, with a cry of Cohorts! Change). Best summary PDF, themes, and quotes. When Wesley confronts Byron, following news of Phaedras disappearance, he replies: course theyre bloody drinking. [] A while ago I published one of my students essays, []. MANNON--_(avoiding her glance- Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall. This reading, that Johnny is here being a dragon, is more metaphorical than literal, as it is based on his personality, and his volatile behaviour in this context. To order copies of Republication or distribution of this content is (LogOut/ On St George's Day, the morning of the local country fair, Johnny 'Rooster' Byron, local waster and Lord of Misrule, is a wanted man. Marky is Johnny's son. A little blog to go off on tangents within the worlds of history and literature that interest me. But so central was Mark Rylance's performance . Maybe if this play had been revived before the EU referendum, the metropolitan masses would not have been as shocked by the result. Byron boys must also be tended to like a wound, as there is the danger that he could infect others, and the land, much like the dragon that envenomed all the country. Johnny also has the ability to draw people in, and ensnare them, as can be seen when he seduces Dawn. rights reserved. They want to haul up the borders: I leave Wiltshire, my ears pop, says one who never wants to leave home. This is an essay written as a first homework task for the Lower 6th by a young man called Asher. Butterworth presents a morally confused character in Byron, whose actions are often wrong and whose role in the lives of the teenagers who look to him is at times worrying. It's about this girl you are interested Start: But what about the peculiarly flat, Little Britain-style humour of the first act? GradeSaver, 27 February 2018 Web. The Professer enters the play looking for Mary. Imagine King Arthur reincarnated as a troll and you have something of the quality he brings to the debased pastoral he grittily, comically and finally mournfully inhabits. And even more courage for a lead actor to risk comparison with the original star, Mark Rylance, who won an Olivier and a Tony for his role in it. There it received its first negative review. MONOLOGUE START: School is a lie. This unfairness means we question the premises on which Byron is attacked by those who see themselves as better than him, and firmly support him. Jerusalem. His Rooster is a slurring, red-faced, black-fingernailed Hell's Angel of sorts in leathers. The production starred Canadian actor Kim Coates,[20] marking his return to the stage after almost 30 years. However, he does return, and vows to protect Johnny from the council, which has less chance of success than the previous situation with Troy. A great read! Watermill theatre, NewburyRave music thumps as Jasper Britton plays the refusenik in an intimate revival of the drama about Albions dark heart. [33][34], In July 2019, Grec Festival 2019 in Barcelona, Spain, mounted production at the Teatre Grec. Copyright 1999 - 2023 GradeSaver LLC. The council officials want to serve him an eviction notice, his son wants to be taken to the fair, a vengeful father wants to give him a serious kicking, and a {{ user.data.user.data.accountcredit | currency}}. The woods outside the town of Flintock, England. Steal. *Our system only provides suggested monologues or songs for select characters if we have matching monologues and song information in our database. Dawn Johnny's ex-girlfriend and mother to son Marky. New York, NY, Ages 12-17: Camp Broadway Ensemble @ Carnegie Hall The reminder could not be more relevant. Inspire employees with compelling live and on-demand video experiences. Ginger is constantly desperate to gain the approval of Johnny, as can be seen when he pushes Johnny to say that he is a DJ. Ginger also tries to tell stories in the vivid fluid fashion that Johnny does, but continually fails, much to the disappointment of the audience. His character grows in power, bigger until he seems almost as big as one of the mythological giants he claims to have spoken to near Stonehenge. "I, Rooster John Byron, hereby place a curse Upon the Kennet and Avon Council, May they wander the land for ever, Never sleep twice in the same bed, Never drink water from the same well, And never cross the same river twice in a year. This production brings back some of the players from the original, including the director Ian Rickson as well as Mark Rylances Rooster and Mackenzie Crooks Ginger (an out-of-work plasterer who reckons himself a DJ), and it revives, for me, some of the same gripes. On this Wikipedia the language links are at the top of the page across from the article title. What a brilliant and truthful look at Roosters complex character. Shakes the ground beneath our feet Jerusalem at the Watermill. Newspapers Limited, 8 Spadina Avenue, 10th Floor, Toronto, ON M5V 0S8. Your email address will not be published. [11], Jerusalem opened on Broadway on 21 April 2011 at the Music Box Theatre, following previews from 2 April 2011. It does not help that the few female characters are marginal, including Roosters ex-partner, Dawn (Indra Ov), who is given some good lines, but isnt on stage for very long. This blatant hypocrisy demonstrates that, in respectable Flintock, these natural teenage rites are fine, as long as they are discreetly hidden. That poem ends: I will not cease from Mental Fight, Nor shall my sword sleep in my hand: Till we have built Jerusalem, In Englands green & pleasant Land.. As with most passages in literature, it can also be read differently. In a play about English identity, Byrons position as a totem of age-old Englishness amid commercial patriotism and sham ideals makes it easy for the audience to be firmly on his side, representing, as he does, an idea that perhaps never existed, but which we want to have existed. It takes courage to revive a play that was deemed by so many to be the best British stage production of modern times. He has purchased a one-way ticket to Australia in order to find himself and go on a vision quest, but has very little money and is scared to leave. But the intimacy of the space makes the woodland more vivid and darkly oppressive, bringing an anarchic element to the staging: the audience is sprayed with water, cigarette smoke wafts into the stalls, the thump of rave music shakes the ground beneath our feet. [24], Jerusalem was nominated for six awards in the 2018 Dora Mavor Moore Award,[25] and won in every category: Outstanding Production of a Play, Outstanding Performance by Male in a Principal Role - Play (Coates), Outstanding Performance by an Ensemble, Outstanding Direction (Cushman), Outstanding Scenic Design (Blais), and Outstanding Lighting Design (du Toit). New York, NY, Accessibility Statement Terms Privacy |StageAgent 2020. The BFG. Motley crew member Mackenzie Crook as Ginger. There are references to women as slappers, bitches and fat wives. It appears that you are outside of North America. Crying. He seems to be imbued with some sort of power that no one else understands. Butterworths language contains great riches and Johnny Rooster Byron, the plays outsider, antihero, rebel and messiah rolled into one, is a blazing creation. More books than SparkNotes. His behaviour has alienated him from town life; his lifestyle is getting him evicted and the forest he lives in is being stripped to make room for more houses. Directed by Julio Manrique and translation into Catalan by Cristina Genebat. Prison's a. Johnny "Rooster" Byron. Not in my view. Sons of Anarchys Kim Coates returns to stage in T.O. [39], In 2014, the play was voted 9th in WhatsOnStage.com's public poll to determine "The top 100 plays of all time! [13] The full cast for the production was announced on 17 February 2011, with John Gallagher, Jr., Max Baker, Geraldine Hughes, Richard Short, Molly Ranson, and James Riordan joining the show. Johnny "Rooster" Byron is Shakespeare's lush Falstaff or faerie Puck, J.M. The Bacchic scene at the beginning of Act 1 of people dancing wildly, with abandon naturally raises questions about the place of vulnerable adolescents in such a setting, but as the play progresses, we see a relationship between Byron and his young hangers-on which is often paternal, and which plays a role society would rather ignore, but still needs. He lives in a caravan in the local woods. Jez Butterworth, Jerusalem, (London: Nick Hern Books, 2009). Sign up today to unlock amazing theatre resources and opportunities. Jerusalem study guide contains a biography of Jez Butterworth, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Thoughts and ideas about words, stories and what works best in the classroom and beyond, ' . will review the submission and either publish your submission or providefeedback. Length Medium Click on a tag below to be rerouted to everything associated with it. Johnny "Rooster" Byron is a Romany gypsy, and the council have finally arranged the legal essentials to have him evicted to build new housing. START: School is a lie. Johnny "Rooster" Byron opinionated, eccentric, ex-daredevil and teller of fantastically improbable stories, he has a young son whom he rarely sees. He is being evicted from his property so that new homes can be built, but he will not go quietly. Seeking 2 Actor Team for Spring Of bees. Rylance won the Laurence Olivier Award for Best Actor for his performance. He believes Johnny has her, and Rooster implies clearly that he knows Troy is abusing Phaedra. Ginger is an aspiring DJ who is older than the rest of the crew that hangs out with Johnny. When speaking to Troy, Johnny belittles him and taunts him over Phaedra, who he deems a treasure, and proceeds to note her big eyes. Previously Phaedra had been presented as an innocent, vulnerable girl, but here she is discussed as a sexual plaything in the presence of Troy. Grab your fill. A site to share my resources for secondary English teaching. Jerusalem, the William Blake poem that shares its name with Butterworths play, imagines Jesus Christ walking on English soil. Furthermore, we as an audience are firmly on Byrons side because he is the embodiment of the pastoral and a forgotten England, the England that precedes the crude nationalism of THE ENGLISH STAGE COMPANY, and because the mystery of his life and the nature of his existence creates a legendary mystique that is attractive and gives the impression of timelessness. Troy is Phaedra's stepfather who comes looking for her at Johnny's caravan. Johnny "Rooster" Byron. Johnny Rooster Byron is Shakespeares lush Falstaff or faerie Puck, J.M. . Whether this be true or not, it is clear that those at the caravan believe that after the events of 1981, Johnny does indeed deserve a statute, and to be immortalised in stone. Have a request or find a bug?Use the Feedback Button at the bottom! Actor Mark Rylance met Lay and modelled his performance on Lay's mannerisms. To ascertain an answer, one must look at Johnnys characteristics, individual moments in the play and his interaction with Phaedra, in comparison to Troy. Its not like you dont serve kids, an allegation to which Wesley can only feebly protest thats different. . Troy's stepdaughter goes missing (after it is strongly implied he abuses her); he badly beats Johnny at the end of the play. He comes to Johnny's to party regularly, and had videotaped to guys pissing on Rooster rather than stopping them from doing it. Most of the time Ginger is put down by Johnny, as well as the audience, which alternatively could present Johnny as a dragon, who has named the loyal and unassuming Ginger as one of his victims. The plays ideas around myth and identity are lyrical but do not fully cohere. . He is hurt when he learns Johnny didn't invite him to his most recent party that everyone else went to. Words, words, words well said Hamlet! [26] The play was also awarded the John Caplan Audience Choice Award. Frank Whitworth Brother of Troy Whitworth, Danny Whitworth Younger brother of Troy and Frank Whitworth, The BBC reported that the character of Johnny "Rooster" Byron was based on retired builder Micky Lay, who lived in a caravan in Pewsey, Wiltshire. Asher Weisz (L6th) English Teaching Resources. (LogOut/ It was directed by Ian Rickson and starred Mark Rylance as Johnny, Mackenzie Crook as Ginger, Alan David as the Professor, Tom Brooke as Lee, Danny Kirrane as Davey, Gerard Horan as Wesley and Barry Sloane as Troy Whitworth, Aimee-Ffion Edwards as Phaedra, Lucy Montgomery as Dawn, Dan Poole as Danny and Lennie Harvey as Marky. Barries eternal boy Peter Pan, the noble and reclusive Robin Hood of Sherwood Forest, the Pied Piper of Hamelin, any unwitting man who came face to face with a giant, and more. But there is no doubt that the defining performance of his stage career was that of Johnny "Rooster" Byron, the whizz-dispensing Wiltshire Falstaff in Jez Butterworth's haunting study of a. This could make Johnny seem like a dragon, purely because he is acting in a hostile manner, much like a dragon does. https://jwpblog.com/2019/11/07/jerusalem-a-new-study-guide/ Fancy a read, Harpal?

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